Lea Anderson

Be(ware) The Swallowing: Devouring Children And Fear Of The Future

Ravenous children in IT’S ALIVE, GOOD MANNERS, and BRIDE BEFORE YOU.

Be(ware) The Swallowing: BLOOD QUANTUM

Acts of heroism are simultaneously always acts of monstrosity.

What Black Horror Has Been, And What It Can Be: Tananarive Due On Shudder's HORROR NOIRE

"There are as many kinds of Black horror as there are kinds of horror, period."

Speak Evil: Celebrating 30 Years of THE PEOPLE UNDER THE STAIRS

BE(ware) THE SWALLOWING Love Will Tear Us Apart in THE SADNESS, TITANE And GANJA & HESS

Be(ware) the Swallowing: Alien Invasion in MARS ATTACKS! And ANNIHILATION

Be(ware) The Swallowing: Black Vampires In VAMPIRE IN BROOKLYN, VAMP And QUEEN OF THE DAMNED

Part Two: Examining the vampire-as-other narrative and how it pertains to Black stories and characters.

Be(ware) the Swallowing Nature Bites Back: FROGS and the Ecophobic White Imagination

The fusion of absurdist ecohorror with Southern Gothic.

Be(ware) The Swallowing: When White Girls Eat Each Other

Homoerotic cannibalism in THE NEON DEMON, JENNIFER'S BODY and RAW.

Be(ware) The Swallowing: Black Vampires In BLADE, DEF BY TEMPTATION And SUICIDE BY SUNLIGHT

Examining the vampire-as-other narrative and how it pertains to Black stories and characters.

Be(ware) The Swallowing: THE GIRL WITH ALL THE GIFTS

The Monster in Me is the Monster in You.

Black Horror And The Technology Of Monsters

Gothic Afrofuturism and Black horror’s role in divining Black futures.