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Wild Women With Steak Knives: GHOSTS OF HANLEY HOUSE (Louise Sherrill, 1968)

A forgotten pioneer and things that go bump in the night.

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Wild Women With Steak Knives: THE RAGE - CARRIE 2 (Katt Shea, 1999)

Twisted firestarter.

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Wild Women With Steak Knives: RED HOOK (Elizabeth Lucas, 2009)

Hanging on the telephone.

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Wild Women With Steak Knives: SAWBONES (Catherine Cyran, 1995)

Eyeball liposuction, Corman style.

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Wild Women With Steak Knives: VISIBLE SECRET (Ann Hui, 2001)

Of things seen and unseen.

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Wild Women With Steak Knives: LITTLE WITCHES (Jane Simpson, 1996)

The Craft of imitation.

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Sundance Exclusive Interview: WATCHER With Director/Writer Chloe Okuno

From reigning and ruling the sewers with Raatma to being stalked in Bucharest.

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Wild Women With Steak Knives: EACH TIME I KILL (Doris Wishman, 2007)

The Grande Dame strikes back.

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Wild Women With Steak Knives: DOROTHY MILLS (Agn├Ęs Merlet, 2008)

Learning How to Fly.

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Wild Women With Steak Knives: CRESWICK (Natalie Erika James, 2017)

The Mercy Seat.

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Wild Women With Steak Knives: FRIENDLY BEAST (Gabriela Amaral, 2017)

Eat the Rich.

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Wild Women With Steak Knives: SPELLBINDER

(Janet Greek, 1988) Girl trouble

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WILD WOMEN WITH STEAK KNIVES: HOTEL (Jessica Hausner, 2004)

The Lady of the Woods

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Wild Women With Steak Knives: HEARTLESS (Judith Vogelsang, 1997)

The heart is deceitful above all things.

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Wild Women With Steak Knives: DEAD INNOCENT (Sara Botsford, 1997)

Backlash Meets Technophobia, '90s Style